Yong Pal should have emerged as the year’s most exciting, rip-roaring ride and unabashedly entertaining show. Instead, clumsy plot manoeuvrings at the show’s final hours put a considerable damper at a crucial juncture and tanked it in a way that poor endings often do with dramas. Sad really, because it was a fatal blow to a show that had all the right ingredients but somehow added up to less than the sum of its parts.
It all started so well, too. Yong Pal burst out of the starting gate revving on all four cylinders with energy and style and a story that foregrounded intrigue and excitement. It felt like a go-big-or-go-home kind of show, its action and thrills and a flair for spectacle putting a fresh spin on the medical drama. It felt like a little bit of Healer spunk and a touch of God’s Gift unpredictability had infected the usually sedate hospital corridors of dramaland. Continue reading